Spring is like a perhaps hand (which comes carefully out of Nowhere)arranging a window,into which people look(while people stare arranging and changing placing carefully there a strange thing and a known thing here)and

changing everything carefully

spring is like a perhaps Hand in a window (carefully to and from moving New and Old things,while people stare carefully moving a perhaps fraction of flower here placing an inch of air there)and

without breaking anything. -- e e cummings

Things

There are worse things than having behaved foolishly in public. There are worse things than these miniature betrayals, committed or endured or suspected; there are worse things than not being able to sleep for thinking about them. It is 5 a.m. All the worse things come stalking in and stand icily about the bed looking worse and worse and worse.

This is by Fleur Adcock. She wrote it in December 1973 - right in the middle of the Winter of Discontent. As she says in "Poem for the Day 2" (where I spotted it): "There were power cuts, a rail strike, shortages of every kind (a note in my diary on the 15th says that I managed to buy the last oil lamo in East Finchley). I had a cold, an elderly friend had just died, and all was bleak. The occasion for the poem was probably some minor cause for embarrassment that was keeping me awake, bet then all the more serious matters came crowding in. I thought other people would recognise the sentiments."

But then, you read something like this and look out of the window on a nice sunny day, and think about the walk you're going to have by the river or the lovely family you're about to see, and it seems a little silly to let those things come stalking in. I love this poem. You can read it in a funny way too. It makes me feel better.

Sir John Betjeman was an English poet, writer and broadcaster who described himself in Who's Who as a "poet and hack". He was a founding member of the Victorian Society and a passionate defender of Victorian architecture. Starting his career as a journalist, he ended it as one of the most popular British Poets Laureate to date and a much-loved figure on British television. Originally the name was Betjemann, but the family knocked off the last 'n' during the First World War to make it sound less Teutonic. It wasn't until the Fifties that his work really started getting noticed. When his Collected Poems came out in 1958 they made publishing history - they have since sold over two and a quarter million copies It's interesting that, at a time when people were getting stuck into free-form jazz and blank verse, Betjeman stuck to his traditional guns. And while outwardly his satiric, wry verse might have seemed light, there was a great depth and elegance to his poetry. He died in 1984 and was buried in St Enedoc Church, Trebetherick, North Cornwall. It is a magical place. One of the nicest ways to approach it is by getting the ferry from Padstow to Rock, then walking up along the bay and over the hills - beautiful. There are some recordings of him reading his poems here. Below are a couple of lines and then two wonderful poems: How to get on in society, and Meditation on the A30.

Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows.

I don't think I am any good. If I thought I was any good, I wouldn't be.

Come, friendly bombs, and fall on Slough. / It isn't fit for humans now.

How To Get On In Society Phone for the fish knives, Norman As cook is a little unnerved; You kiddies have crumpled the serviettes And I must have things daintily served.

Are the requisites all in the toilet? The frills round the cutlets can wait Till the girl has replenished the cruets And switched on the logs in the grate.

It's ever so close in the lounge dear, But the vestibule's comfy for tea And Howard is riding on horseback So do come and take some with me

Now here is a fork for your pastries And do use the couch for your feet; I know that I wanted to ask you- Is trifle sufficient for sweet?

Milk and then just as it comes dear? I'm afraid the preserve's full of stones; Beg pardon, I'm soiling the doileys With afternoon tea-cakes and scones.

Meditation on the A30 by John Betjeman A man on his own in a car Is revenging himself on his wife; He open the throttle and bubbles with dottle and puffs at his pitiful life

She's losing her looks very fast, she loses her temper all day; that lorry won't let me get past, this Mini is blocking my way.

"Why can't you step on it and shift her! I can't go on crawling like this! At breakfast she said that she wished I was dead- Thank heavens we don't have to kiss.

"I'd like a nice blonde on my knee And one who won't argue or nag. Who dares to come hooting at me? I only give way to a Jag.

"You're barmy or plastered, I'll pass you, you bastard- I will overtake you. I will!" As he clenches his pipe, his moment is ripe And the corner's accepting its kill.