Posts in Uncategorized
Smoking kids

Inspired by a video of a chain-smoking two-year-old from Indonesia, photographer Frieke Janssens took a series of portraits of kids smoking.

She says: "The aesthetics of smoke and the particular way smokers gesticulate with their hands and posture cannot be denied, but among the different tribes of "Smoking Kids," - Glamour, Jazz, and The Marginal - there is a nod to less attractive aspects, on the line between the beauty and ugliness of smoking."

You might like to know that none of the kids are actually smoking fags. She used a combination of sticks of chalk, bits of cheese (as cigarettes) and joss sticks (smoke) to comp the effect. Do click the sheet below to link through to the series as it will show the images in much better quality than they are here. If you like the photos (and I do), be sure to check out her website, which is fab.

There's also a behind-the-scenes video of the shoot here - also well worth watching.

Bomber jackets

Amazing set of WWII bomber jackets from Flickr, collected by D. Sheley. Just imagine getting home in one piece, and very carefully painting another white bomb on your jacket with your buddies, or the very visual pecking order that you'd get seeing a crew of veterans next to a newbie. Click the image to go the fully linked gallery page.

Scaling human happiness - the science of the smile

From an interview with Daniel Gilbert by Gardiner Morse in the Harvard Business Review. Harvard psychology professor Daniel Gilbert is widely known for his 2006 best seller, Stumbling on Happiness. His work reveals, among other things, the systematic mistakes we all make in imagining how happy (or miserable) we’ll be. In this edited interview with HBR’s Gardiner Morse, Gilbert surveys the field of happiness research and explores its frontiers.

HBR: Happiness research has become a hot topic in the past 20 years. Why? Gilbert: It’s only recently that we realized we could marry one of our oldest questions—“What is the nature of human happiness?”—to our newest way of getting answers: science. Until just a few decades ago, the problem of happiness was mainly in the hands of philosophers and poets.

Psychologists have always been interested in emotion, but in the past two decades the study of emotion has exploded, and one of the emotions that psychologists have studied most intensively is happiness. Recently economists and neuroscientists joined the party. All these disciplines have distinct but intersecting interests: Psychologists want to understand what people feel, economists want to know what people value, and neuroscientists want to know how people’s brains respond to rewards. Having three separate disciplines all interested in a single topic has put that topic on the scientific map. Papers on happiness are published in Science, people who study happiness win Nobel prizes, and governments all over the world are rushing to figure out how to measure and increase the happiness of their citizens.

How is it possible to measure something as subjective as happiness? Measuring subjective experiences is a lot easier than you think. It’s what your eye doctor does when she fits you for glasses. She puts a lens in front of your eye and asks you to report your experience, and then she puts another lens up, and then another. She uses your reports as data, submits the data to scientific analysis, and designs a lens that will give you perfect vision—all on the basis of your reports of your subjective experience. People’s real-time reports are very good approximations of their experiences, and they make it possible for us to see the world through their eyes. People may not be able to tell us how happy they were yesterday or how happy they will be tomorrow, but they can tell us how they’re feeling at the moment we ask them. “How are you?” may be the world’s most frequently asked question, and nobody’s stumped by it.

There are many ways to measure happiness. We can ask people “How happy are you right now?” and have them rate it on a scale. We can use magnetic resonance imaging to measure cerebral blood flow, or electromyography to measure the activity of the “smile muscles” in the face. But in most circumstances those measures are highly correlated, and you’d have to be the federal government to prefer the complicated, expensive measures over the simple, inexpensive one.

But isn’t the scale itself subjective? Your five might be my six. Imagine that a drugstore sold a bunch of cheap thermometers that weren’t very well calibrated. People with normal temperatures might get readings other than 98.6, and two people with the same temperature might get different readings. These inaccuracies could cause people to seek medical treatment they didn’t need or to miss getting treatment they did need. So buggy thermometers are sometimes a problem—but not always. For example, if I brought 100 people to my lab, exposed half of them to a flu virus, and then used those buggy thermometers to take their temperatures a week later, the average temperature of the people who’d been exposed would almost surely be higher than the average temperature of the others. Some thermometers would underestimate, some would overestimate, but as long as I measured enough people, the inaccuracies would cancel themselves out. Even with poorly calibrated instruments, we can compare large groups of people.

A rating scale is like a buggy thermometer. Its inaccuracies make it inappropriate for some kinds of measurement (for example, saying exactly how happy John was at 10:42 AM on July 3, 2010), but it’s perfectly appropriate for the kinds of measurements most psychological scientists make.

What did all these happiness researchers discover? Much of the research confirms things we’ve always suspected. For example, in general people who are in good romantic relationships are happier than those who aren’t. Healthy people are happier than sick people. People who participate in their churches are happier than those who don’t. Rich people are happier than poor people. And so on.

That said, there have been some surprises. For example, while all these things do make people happier, it’s astonishing how little any one of them matters. Yes, a new house or a new spouse will make you happier, but not much and not for long. As it turns out, people are not very good at predicting what will make them happy and how long that happiness will last. They expect positive events to make them much happier than those events actually do, and they expect negative events to make them unhappier than they actually do. In both field and lab studies, we’ve found that winning or losing an election, gaining or losing a romantic partner, getting or not getting a promotion, passing or failing an exam—all have less impact on happiness than people think they will. A recent study showed that very few experiences affect us for more than three months. When good things happen, we celebrate for a while and then sober up. When bad things happen, we weep and whine for a while and then pick ourselves up and get on with it.

Pelicans and flying rays

[youtube=http://youtu.be/nHrrS_hOnZw&w=700] The pelican's a funny bird, its feathers could be cleaner Though if its beak were half the size it would be somewhat leaner. And when below it sees a ray a fishin' in the water It fights the urge to dive on in and join in with the slaughter. The ray's a jealous type you see, despite its calm demeanour, The only way to calm it down is cans of Orangina.

© Me.

Three poems by Sir John Betjeman

Don't just read them. Read them out loud (even if quietly and to yourself). Executive

I am a young executive. No cuffs than mine are cleaner; I have a Slimline brief-case and I use the firm's Cortina. In every roadside hostelry from here to Burgess Hill The maitres d'hotel all know me well, and let me sign the bill.

You ask me what it is I do. Well, actually, you know, I'm partly a liaison man, and partly P.R.O. Essentially, I integrate the current export drive And basically I'm viable from ten o'clock till five.

For vital off-the-record work - that's talking transport-wise - I've a scarlet Aston-Martin - and does she go? She flies! Pedestrians and dogs and cats, we mark them down for slaughter. I also own a speedboat which has never touched the water.

She's built of fibre-glass, of course. I call her 'Mandy Jane' After a bird I used to know - No soda, please, just plain - And how did I acquire her? Well, to tell you about that And to put you in the picture, I must wear my other hat.

I do some mild developing. The sort of place I need Is a quiet country market town that's rather run to seed A luncheon and a drink or two, a little savoir faire - I fix the Planning Officer, the Town Clerk and the Mayor.

And if some Preservationist attempts to interfere A 'dangerous structure' notice from the Borough Engineer Will settle any buildings that are standing in our way - The modern style, sir, with respect, has really come to stay.

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In A Bath Teashop

"Let us not speak, for the love we bear one another— Let us hold hands and look." She such a very ordinary little woman; He such a thumping crook; But both, for a moment, little lower than the angels In the teashop's ingle-nook.

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Loneliness

The last year's leaves are on the beech: The twigs are black; the cold is dry; To deeps byond the deepest reach The Easter bells enlarge the sky. O ordered metal clatter-clang! Is yours the song the angels sang? You fill my heart with joy and grief - Belief! Belief! And unbelief... And, though you tell me I shall die, You say not how or when or why.

Indifferent the finches sing, Unheeding roll the lorries past: What misery will this year bring Now spring is in the air at last? For, sure as blackthorn bursts to snow, Cancer in some of us will grow, The tasteful crematorium door Shuts out for some the furnace roar; But church-bells open on the blast Our loneliness, so long and vast.

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Spike Jonze Presents: Lil Buck and Yo-Yo Ma

[youtube=http://www.youtube.com/watch?v=C9jghLeYufQ&w=700] "The other day, I was lucky enough to be at an event to bring the arts back into schools and got to see an amazing collaboration between Yo-Yo Ma and a young dancer in LA, Lil Buck. Someone who knows Yo-Yo Ma had seen Lil Buck on YouTube and put them together. The dancing is Lil Buck's own creation and unlike anything I've seen. Hope you enjoy." Spike Jonze

(via)

EDIT -

Here is a behind the scenes video showing more detail from the collaboration, other workshops, interviews with other participants etc. Beautiful and inspiring.

[youtube=http://www.youtube.com/watch?v=Dhv2aYvqG4Y&w=700]

Inside the actors' studio - Christopher Walken

[youtube=http://youtu.be/Zf-giraT0W8&w=700] "I am the author of myself." (Coriolanus)

Walken, talken. Enjoyable bit of quick-response questionnaire at 38:40 (and just before that an interesting comment about the importance of not knowing what's next). There's a good question at the end. Look at the other actors too. Pacino's wasn't great, but that might be because he's better as actor than interviewee.

The Joy of Quiet

PICO IYER wrote this for the NY Times (29/12/11), and dash it all if he isn't right...

ABOUT a year ago, I flew to Singapore to join the writer Malcolm Gladwell, the fashion designer Marc Ecko and the graphic designer Stefan Sagmeister in addressing a group of advertising people on “Marketing to the Child of Tomorrow.” Soon after I arrived, the chief executive of the agency that had invited us took me aside. What he was most interested in, he began — I braced myself for mention of some next-generation stealth campaign — was stillness.

A few months later, I read an interview with the perennially cutting-edge designer Philippe Starck. What allowed him to remain so consistently ahead of the curve? “I never read any magazines or watch TV,” he said, perhaps a little hyperbolically. “Nor do I go to cocktail parties, dinners or anything like that.” He lived outside conventional ideas, he implied, because “I live alone mostly, in the middle of nowhere.”

Around the same time, I noticed that those who part with $2,285 a night to stay in a cliff-top room at the Post Ranch Inn in Big Sur pay partly for the privilege of not having a TV in their rooms; the future of travel, I’m reliably told, lies in “black-hole resorts,” which charge high prices precisely because you can’t get online in their rooms.

Has it really come to this?

In barely one generation we’ve moved from exulting in the time-saving devices that have so expanded our lives to trying to get away from them — often in order to make more time. The more ways we have to connect, the more many of us seem desperate to unplug. Like teenagers, we appear to have gone from knowing nothing about the world to knowing too much all but overnight.

Internet rescue camps in South Korea and China try to save kids addicted to the screen.

Writer friends of mine pay good money to get the Freedom software that enables them to disable (for up to eight hours) the very Internet connections that seemed so emancipating not long ago. Even Intel (of all companies) experimented in 2007 with conferring four uninterrupted hours of quiet time every Tuesday morning on 300 engineers and managers. (The average office worker today, researchers have found, enjoys no more than three minutes at a time at his or her desk without interruption.) During this period the workers were not allowed to use the phone or send e-mail, but simply had the chance to clear their heads and to hear themselves think. A majority of Intel’s trial group recommended that the policy be extended to others.

THE average American spends at least eight and a half hours a day in front of a screen, Nicholas Carr notes in his eye-opening book “The Shallows,” in part because the number of hours American adults spent online doubled between 2005 and 2009 (and the number of hours spent in front of a TV screen, often simultaneously, is also steadily increasing).

The average American teenager sends or receives 75 text messages a day, though one girl in Sacramento managed to handle an average of 10,000 every 24 hours for a month. Since luxury, as any economist will tell you, is a function of scarcity, the children of tomorrow, I heard myself tell the marketers in Singapore, will crave nothing more than freedom, if only for a short while, from all the blinking machines, streaming videos and scrolling headlines that leave them feeling empty and too full all at once.

The urgency of slowing down — to find the time and space to think — is nothing new, of course, and wiser souls have always reminded us that the more attention we pay to the moment, the less time and energy we have to place it in some larger context. “Distraction is the only thing that consoles us for our miseries,” the French philosopher Blaise Pascal wrote in the 17th century, “and yet it is itself the greatest of our miseries.” He also famously remarked that all of man’s problems come from his inability to sit quietly in a room alone.

When telegraphs and trains brought in the idea that convenience was more important than content — and speedier means could make up for unimproved ends — Henry David Thoreau reminded us that “the man whose horse trots a mile in a minute does not carry the most important messages.” Even half a century ago, Marshall McLuhan, who came closer than most to seeing what was coming, warned, “When things come at you very fast, naturally you lose touch with yourself.” Thomas Merton struck a chord with millions, by not just noting that “Man was made for the highest activity, which is, in fact, his rest,” but by also acting on it, and stepping out of the rat race and into a Cistercian cloister.

Yet few of those voices can be heard these days, precisely because “breaking news” is coming through (perpetually) on CNN and Debbie is just posting images of her summer vacation and the phone is ringing. We barely have enough time to see how little time we have (most Web pages, researchers find, are visited for 10 seconds or less). And the more that floods in on us (the Kardashians, Obamacare, “Dancing with the Stars”), the less of ourselves we have to give to every snippet. All we notice is that the distinctions that used to guide and steady us — between Sunday and Monday, public and private, here and there — are gone.

We have more and more ways to communicate, as Thoreau noted, but less and less to say. Partly because we’re so busy communicating. And — as he might also have said — we’re rushing to meet so many deadlines that we hardly register that what we need most are lifelines.

So what to do? The central paradox of the machines that have made our lives so much brighter, quicker, longer and healthier is that they cannot teach us how to make the best use of them; the information revolution came without an instruction manual. All the data in the world cannot teach us how to sift through data; images don’t show us how to process images. The only way to do justice to our onscreen lives is by summoning exactly the emotional and moral clarity that can’t be found on any screen.

MAYBE that’s why more and more people I know, even if they have no religious commitment, seem to be turning to yoga, or meditation, or tai chi; these aren’t New Age fads so much as ways to connect with what could be called the wisdom of old age. Two journalist friends of mine observe an “Internet sabbath” every week, turning off their online connections from Friday night to Monday morning, so as to try to revive those ancient customs known as family meals and conversation. Finding myself at breakfast with a group of lawyers in Oxford four months ago, I noticed that all their talk was of sailing — or riding or bridge: anything that would allow them to get out of radio contact for a few hours.

Other friends try to go on long walks every Sunday, or to “forget” their cellphones at home. A series of tests in recent years has shown, Mr. Carr points out, that after spending time in quiet rural settings, subjects “exhibit greater attentiveness, stronger memory and generally improved cognition. Their brains become both calmer and sharper.” More than that, empathy, as well as deep thought, depends (as neuroscientists like Antonio Damasio have found) on neural processes that are “inherently slow.” The very ones our high-speed lives have little time for.

In my own case, I turn to eccentric and often extreme measures to try to keep my sanity and ensure that I have time to do nothing at all (which is the only time when I can see what I should be doing the rest of the time). I’ve yet to use a cellphone and I’ve never Tweeted or entered Facebook. I try not to go online till my day’s writing is finished, and I moved from Manhattan to rural Japan in part so I could more easily survive for long stretches entirely on foot, and every trip to the movies would be an event.

None of this is a matter of principle or asceticism; it’s just pure selfishness. Nothing makes me feel better — calmer, clearer and happier — than being in one place, absorbed in a book, a conversation, a piece of music. It’s actually something deeper than mere happiness: it’s joy, which the monk David Steindl-Rast describes as “that kind of happiness that doesn’t depend on what happens.”

It’s vital, of course, to stay in touch with the world, and to know what’s going on; I took pains this past year to make separate trips to Jerusalem and Hyderabad and Oman and St. Petersburg, to rural Arkansas and Thailand and the stricken nuclear plant in Fukushima and Dubai. But it’s only by having some distance from the world that you can see it whole, and understand what you should be doing with it.

For more than 20 years, therefore, I’ve been going several times a year — often for no longer than three days — to a Benedictine hermitage, 40 minutes down the road, as it happens, from the Post Ranch Inn. I don’t attend services when I’m there, and I’ve never meditated, there or anywhere; I just take walks and read and lose myself in the stillness, recalling that it’s only by stepping briefly away from my wife and bosses and friends that I’ll have anything useful to bring to them. The last time I was in the hermitage, three months ago, I happened to pass, on the monastery road, a youngish-looking man with a 3-year-old around his shoulders.

“You’re Pico, aren’t you?” the man said, and introduced himself as Larry; we’d met, I gathered, 19 years before, when he’d been living in the cloister as an assistant to one of the monks.

“What are you doing now?” I asked.

“I work for MTV. Down in L.A.”

We smiled. No words were necessary.

“I try to bring my kids here as often as I can,” he went on, as he looked out at the great blue expanse of the Pacific on one side of us, the high, brown hills of the Central Coast on the other. “My oldest son” — he pointed at a 7-year-old running along the deserted, radiant mountain road in front of his mother — “this is his third time.”

The child of tomorrow, I realized, may actually be ahead of us, in terms of sensing not what’s new, but what’s essential.

And one to read out loud... "may i feel said he"

A glorious poem by E. E. Cummings - great fun to read out loud. Originally published in Cumming's 1935 No Thanks collection, may i feel said he is one of the poet's most original and best loved works. The punctuation is like that on purpose. Watch out for the single capital letter that makes the whole thing. may i feel said he

may i feel said he (i'll squeal said she just once said he) it's fun said she

(may i touch said he how much said she a lot said he) why not said she

(let's go said he not too far said she what's too far said he where you are said she)

may i stay said he (which way said she like this said he if you kiss said she

may i move said he is it love said she) if you're willing said he (but you're killing said she

but it's life said he but your wife said she now said he) ow said she

(tiptop said he don't stop said she oh no said he) go slow said she

(cccome?said he ummm said she) you're divine!said he (you are Mine said she)

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Joseph "Le Pétomane" Pujol: The Flatulist.

Farting, guffing, trumping, parping, letting loose the goose, opening the fridge, looking for ducks, carpet bombing, the silent but violent, the deadly cushion creeper, the brompton, the ripple, the rapple, the bandecoot...the names we give to the act of breaking wind tell you everything you need to know about their place in our sense of humour. Around the turn of the last century a Frenchman,, Joseph Pujol, took it to another level. He'd developed (or maybe just been born with) exceptional control of his abdominal and rectal muscles, and used them to great effect. Known as Le Pétomane (which combined the French verb péter, "to fart", with the -mane, "-maniac" suffix, which translates to "fartomaniac") he became the wolrd's most famous flatulist, farteur du jour, chief fartiste at the Moulin Rouge night club in Paris. He wasn't farting, incidentally, as it wasn't intestinal gas. Here's a fascinating extract from his bio on Wikipedia:

Soon after he left school he had a strange experience while swimming in the sea. He put his head under the water and held his breath, whereupon he felt an icy cold penetrating his rear. He ran ashore in fright and was amazed to sense water pouring from his anus. A doctor assured him that there was nothing to worry about.

When he joined the army he told his fellow soldiers about his special ability, and repeated it for their amusement, sucking up water from a pan into his rectum and then projecting it through his anus up to several yards. He then found that he could suck in air as well. Although a baker by profession, Pujol would entertain his customers by imitating musical instruments, and claim to be playing them behind the counter. Pujol decided to try his talent on the stage, and debuted in Marseille in 1887. After his act proved successful, he proceeded to Paris, where he took the act to the Moulin Rouge in 1892.

Some of the highlights of his stage act involved sound effects of cannon fire and thunderstorms, as well as playing "'O Sole Mio" and "La Marseillaise" on an ocarina through a rubber tube in his anus. He could also blow out a candle from several yards away. His audience included Edward, Prince of Wales, King Leopold II of the Belgians and Sigmund Freud.

In 1894, the managers of the Moulin Rouge sued Pujol for an impromptu exhibition he gave to aid a friend struggling with economic difficulties. For the measly sum of 3,000 francs (Pujol's usual fee being 20,000 francs per show), the Moulin Rouge lost their star attraction, who proceeded to set up his own travelling show called the Theatre Pompadour.

In the following decade Pujol tried to 'refine' and make his acts 'gentler'; one of his favourite numbers became a rhyme about a farm which he himself composed, and which he punctuated with the usual anal renditions of the animals' sounds. The climax of his act, however, involved him farting his impression of the 1906 San Francisco earthquake.

With the outbreak of World War I, Pujol, horrified by the inhumanity of the conflict, retired from the stage and returned to his bakery in Marseille. Later he opened a biscuit factory in Toulon. He died in 1945, aged 88, and was buried in the cemetery of La Valette-du-Var, where his grave can still be seen today. The Sorbonne offered his family a large sum of money to study his body after his death, but they refused the offer.

This recording is by a Monsieur Lefires, a Pujol imitator: [youtube=http://www.youtube.com/watch?v=tixKopGjn5s&w=700]

Josh T. Pearson takes to the streets of Paris. Beautiful.

[youtube=http://youtu.be/907ye_fnjW8&w=700] La Blogotheque presents Josh T. Pearson (Sweetheart I Aint Your Christ, Thou Art Loosed) | A Take Away Show

"He had a giant beard, giving the feeling of being wise beyond his years. He barely moved as he sang, lips, fingers. His sadness was infinite, his music brought tears to your eyes, it never stopped. Follow Josh T. Pearson's eternal laments through Belleville's bustling streets."

Read the full story (in French, English) http://www.blogotheque.net/Josh-T-Pearson,5985

Directed by Colin Solal Cardo Sound & Mix by François Clos Production management by Chryde